Science And Civilization III

To the doctors of the Law, this text is merely prescriptive, Nature being present in their minds only as the necessary setting for men's actions. To the gnostic or Sufi, on the other hand, the Quranic text is also symbolic, just as all of Nature is symbolic. If the tradition of the symbolic interpretation of the text of the Sacred Book were to disappear, and the text thereby reduced to its literal meaning, man might still know his duty, but the "cosmic text" would become unintelligible. The phenomena of Nature would lose any connection with the higher orders of reality, as well as among themselves; they would become mere "facts." This is precisely what the intellective capacity and, indeed, Islamic culture as a whole will not accept. The spirit of Islam emphasizes, by contrast, the unity of Nature, that unity that is the aim of the cosmological sciences, and that is adumbrated and prefigured in the continuous interlacing of arabesques uniting the profusion of plant life with the geometric crystals of the verses of the Quran. Thus we see that the idea of unity is not only the basic presupposition of the Islamic arts and sciences: it dominates their expression as well. The portrayal of any individual object would become a "graven image," a dangerous idol of the mind, the very canon of art in Islam is abstraction. Unity itself is alone deserving of representation; since it is not to be represented directly, however, it can only be symbolized and at that, only by hints. There is no concrete symbol to stand for unity, however; its true expression is negation, not this, not that. Hence, it remains abstract from the point of view of man, who lives in multiplicity. Thus we come to the central issue. Can our minds grasp the individual object as it stands by itself? or can we do so only by understanding the individual object within the context of the universe? In other words, from the cosmological point of view, is the universe the unity, and the individual event or object a sign (''phenomenon,'' "appearance") of ambiguous and uncertain import? Or is it the other way around? Of these alternatives, which go back to the time of Plato, the Muslim is bound to accept the first -- he gives priority to the universe as the one concrete reality, which symbolizes on the cosmic level the Divine Principle itself, although that cannot truly be envisaged in terms of anything else. This is, to be sure, an ancient choice, but Islam does inherit many of its theories from preexisting traditions, the truths of which it seeks to affirm rather than to deny. What it brings to them, as we have already said, is that strong unitary point of view that, along with a passionate dedication to the Divine Will, enabled Islam to rekindle the flame of science that had been extinguished at Athens and in Alexandria. We have seen that the sacred art of Islam is an abstract art, combining flexibility of line with emphasis on the archetype, and on the use of regular geometrical figures interlaced with one another. Herein one can already see why mathematics was to make such a strong appeal to the Muslim: its abstract nature furnished the bridge that Muslims were seeking between multiplicity and unity. It provided a fitting texture of symbols for the universe -- symbols that were like keys to open the cosmic text. We should distinguish at once between the two types of mathematics practiced by Muslims: one was the scrence of algebra, which was always related to geometry and trigonometry; the other was the science of numbers, as understood in the Pythagorean sense. The Pythagorean number has a symbolic as well as a quantitative aspect; it is a projection of Unity, which, however, never leaves its source. Each number has an inherent power of analysis, arising out of its quantitative nature; it has also the power of synthesis because of the inner bond that connects all other numbers to the unit. The Pythagorean number thus has a "personality": it is like a Jacob's ladder, connecting the quantitative with the qualitative domain by virtue of its own inner polarization. To study numbers thus means to contemplate them as symbols and to be led thereby to the intelligible world. So also with the other branches of mathematics. Even where the symbolic aspect is not explicitly stated, the connection with geometric forms has the effect upon the mind of freeing it from dependence upon mere physical appearance, and in that way preparing it for lts iourney into the intelligible world and, ultimately, to Unity.